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       DAVE'S 
        DIARY - 10 JUNE 2013 - PAUL THORN INTERVIEW 
       PUGILIST 
        PAUL THORN PUNCHES OUT SONGS  
       
        CLOSE - BUT NO AUTOGRAPH 
      "I climbed 
        in the ring with Roberto Duran/ and the punches began to rain down/ he 
        hit me with a dozen hard uppercuts/ and my corner threw in the towel/ 
        I asked him why he had to knock me out/ he summed it up real well/ he 
        said, 'I'd rather be a hammer than a nail.'" - Hammer And Nail 
        - Paul Thorn.  
      
      Mississippi 
        raised singer-songwriter Paul Thorn has made a career of rolling with 
        the punches but has a major regret about an historic boxing bout.  
         
        No cigar and no autograph. 
         
        Thorn scored his biggest hits when he lasted six rounds with the world 
        middleweight champion boxer Roberto Duran in Atlantic City, New Jersey, 
        in April 1988. 
         
        At 24 and ranked 29th the sparring singer had nowhere to hide - the fight 
        was televised throughout America. 
         
        The Pentecostal Preacher's son harvested hay from Duran's haymakers - 
        he wrote his 1997 album title track Hammer And Nail about the bout. 
         
        So, apart from the bleeding and bruises let's examine that big regret? 
         
        "I saw a guy on TV who played guitar with Elvis Presley - Scotty 
        Moore - and he was asked what do you regret about your years with Elvis," 
        Thorn told Nu Country TV on the eve of his debut Australian tour in June. 
         
        "He said the one thing I regret is that all those years I was around 
        him not once did I ask him for his autograph because at the time we thought 
        we were all too cool to do something like that. I had a similar experience 
        when I fought Duran. I stood by him at the weigh in. I was in the ring 
        with him but I never got his autograph." 
         
        Neither would have been an appropriate time to ask for the autograph - 
        a fist full of fives might have been the rapid response to such a request. 
         
         
        "It really bothered me," said Thorn, now 48 and father of two 
        children. 
         
        "Then a couple of weeks ago a fan shows up at one of my shows and 
        gave me an autograph of Roberto Duran. How cool is that? It came out of 
        the blue. Now back home I've got three autographs that I'm making a shadow 
        box out of. I've got a Roberto Duran signed glove, a Sugar Ray Leonard 
        signed glove and I've got a Mohamed Ali signed glove. I'm gonna put them 
        in a box of glass and hang them up in my house." 
         
        His 33 song 2005 CD/DVD So Far, So Good: The Best of the Paul Thorn 
        Band Live was accompanied by the documentary Fellow American 
        - a film by John Kane that chronicles Thorn boxing career. 
         
        Thorn scored 60 facial stitches in his four year 89 bout career but he'll 
        have his audience in stitches when he tours here to promote latest albums 
        Pimps & Preachers (2010) and What The Hell Is Going On 
        (2012.) 
         
        But back to the boxing here. 
         
        Thorn's professional pugilism - 9-3-1 (4 knock-outs) record 1985-1988 
        saw him win the Mid-South middleweight title with a unanimous 12-round 
        decision over Knox Brown in Memphis in November 1987. 
         
        "The bonus film about my fight with Roberto Duran is also something 
        I'm very proud of," said Thorn.  
         
        "People sometimes ask me why I gave up boxing. I always have to correct 
        them. Giving up is not in my nature. I simply took it as far as I could 
        and then moved on to something else." 
      THE 
        EYES OF ROBERTO DURAN  
      "Has 
        anybody here seen Roberto Duran?/ I met him once, yeah I shook his hand/ 
        I looked in his eyes and now I understand/ yeah, the love and the anger 
        in the eyes of Roberto Duran." - The Eyes of Roberto Duran - Tom 
        Russell.  
      Thorn, an 
        eight album unsung hero who rejoices in the name of his indie record label 
        Perpetual Obscurity, has long mixed music and muscle. 
         
        "Music is what I've always done," Thorn recalled.  
         
        "I've been a singer since I was three. Boxing was something I did 
        in the middle. I was a world rated boxer and got to fight Duran. I was 
        pretty good, but not good enough to be a world champion. It's something 
        not many people can say they've done. I got to fight one of the greatest 
        fighters in the world and there's no shame in defeat to a better man. 
        There's no shame in defeat at all. The only shame is if you don't take 
        it as far as you can with the talent you have. Well, boxing helped me 
        learn how to face my fears. I had about 50 fights in all and I never went 
        into the ring when I wasn't afraid so it helped me have to put one foot 
        in front of the other even when I'm scared. Now, after having 50 fights, 
        walking on stage is a piece of cake for me. The worst thing they can do 
        to you on stage is boo. But you walk in the ring, there's all kind of 
        bad things that can happen to you! You can get decapitated!" 
         
        Thorn has few fears - he also survived 167 jumps as a sky-diver. 
         
        And the singer has toured with Californian born, latter day Texan Tom 
        Russell whose song The Eyes Of Roberto Duran was also covered by 
        the late Chris Gaffney in 1995 on his Loser's Paradise album. 
         
        So did the two troubadours discuss the chronology of their Duran double 
        shot or perhaps organise a duel for the publishing?  
         
        "I don't know what came first the chicken or the egg but I know more 
        a lot more about Roberto Duran than Tom does," Thorn proffered about 
        the El Paso pacifist. 
         
        "Tom and I also have similar philosophy. He sings about him but I 
        know a lot more about him. I fought him in 1988. I was 29th rated middleweight 
        in the United States and I fought him on national television He was one 
        of the greatest fighters who ever lived. I fought him as good as I could 
        but at the end of the sixth round when I sat on my stool I had a horrible 
        cut on my lip and I was bleeding so bad they had to stop it - that's alright, 
        there's no shame in losing to someone like Roberto Duran. He's one of 
        the best that ever lived. Even though I lost that's something I can say 
        for the rest of my life I lost to Roberto Duran. It wasn't completely 
        one sided. I was in the fight - I even cut him over his eye. I feel really 
        happy about that. I'm really proud of that moment in my life." 
         
        But it was a different style of blood-letting that inspired Love Scar. 
         
        "I was having a conversation with girl in bar one night," Thorn 
        recalled. 
         
        "She had tattoo of a blue eye with a tear coming out, and I asked 
        what it meant. She told me she was drinking in this bar and a good-looking 
        guy walked up and used the line, "If I could be a tear rolling down 
        your cheek and die on your lips, my life would be complete."  
         
        She was so charmed that she started drinking with him and got turned on 
        by his silver-tongued words. They wound up in a motel, which hardly ever 
        leads to a lasting relationship. So she went to a tattoo parlour and got 
        that opening line on her, the blue eye with the tear. She now has this 
        scar, some people think it's a beautiful tattoo, for her it's a reminder 
        of a bad memory. Oh, yeah, in my career I got over 60 stitches in my face. 
        But, you know, I wear those with pride. Everybody's got scars." 
       PIZZAS 
        TO PUNCHES 
      "I don't 
        wanna cry/ I don't wanna walk the floor/ this mobile home don't feel like 
        home no more/ I bought a swimming pool from the man at Sears/ he put it 
        together, I filled it up with tears/ double wide paradise." - 
        Double Wide Paradise - Paul Thorn-Billy Maddox. 
      Ironically, 
        Thorn - cousin of Shenandoah keyboard player Stan Thorn - worked for 12 
        years in a chair factory and sang for his supper in a pizza parlour when 
        music became his full time mistress. 
      
         
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          Sting's 
            manager Miles Copeland - brother of Police drummer Andy - was the 
            burning bush. 
             
            Thorn's prolific writing partner and latter day manager Billy Maddox 
            picks up the plot. 
             
            "We were driving to Nashville to open for Sting and Paul told 
            me he hadn't done a lot of things as a child in a Church of God home," 
            Maddox revealed a few moons ago.  
             
            "We were about to open for Sting and Paul tells me he's never 
            been to a real concert." 
            Thorn fronted 17,000 people and saw his first concert from on stage. 
             | 
         
       
      "Sting 
        asked me to come up once and sing with him," Thorn recalled, "but 
        I was signing CDs and autographs and couldn't get back on the stage." 
         
        Thorn enjoyed sharing stages with Sawyer Brown and other major artists 
        including Oklahoman Toby Keith and Rascal Flatts in 2002. 
         
        The eclectic roots singer-songwriter's beneficiaries are equally wide 
        and varied. 
         
        "I've had my songs recorded by a lot of people," revealed Thorn 
        whose regular collaborator is still Maddox. 
         
        "Even though I'm not a country artist I've had my songs recorded 
        by a lot of country artists - Toby Keith, Tanya Tucker, Ronnie Milsap 
        and Jerry Jeff Walker. The lyrics in my songs are like country songs - 
        they tell 3 minute stories. I've had a lot success people recording my 
        songs for that reason." 
         
        Keith, whose hometown Moore was devastated by tornadoes in May, cut Thorn 
        song Double Wide Paradise in 1998.  
         
        "Toby Keith got one of my CDS and became a fan and liked my music," 
        Thorn said on the eve of his concert last week in storm ravaged Oklahoma 
        City. 
         
        "He called on the telephone, got my number from someone, and asked 
        me to go on the tour with him. I did 30 cities - he would bring me on 
        stage and we would sing Double Wide Paradise and another one of 
        my songs Mission Fireworks Stand." 
       
        PIMPS AND PREACHERS  
      "My 
        daddy had a Cadillac, my uncle drove a Ford/ one was Satan's angel/ and 
        one worked for the Lord/ they had some hard earned wisdom/ they both became 
        my teachers/I was a young disciple of pimps and preachers." - Pimps 
        & Preachers - Paul Thorn. 
      Thorn borrowed 
        from the colourful careers of his dad Wayne and uncle to write Pimps 
        & Preachers. 
         
      
         
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             "Well, 
              the album title isn't just a title, it has meaning for me," 
              says Thorn who shares his Tupelo roots with both the late Elvis 
              Presley and Tammy Wynette. 
            "My 
              dad was a Pentecostal minister with a congregation but my uncle 
              was a real pimp, and I don't mean someone who dresses flashy, I 
              mean a man who had a stable of women that he dropped off on the 
              corner in the morning, picked them up in the evening, and they gave 
              him money. He's not proud of that and that's not something he looks 
              back on and is proud of doing, but as a child he and my daddy were 
              my mentors so I was literally schooled by Pimps and Preachers so 
              I understand about the dark and the light of life because of that. 
               
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      The song 
        is a tribute to my father and uncle, and also I hope when people hear 
        it they'll think about who mentored them and probably there's someone 
        on the dark side who influenced them too. Those two guys were a huge influence 
        on me and my childhood. I learned about the bright side of life and the 
        dark side of life. I benefited from that when I had to go out in the big 
        ugly world by myself. I was prepared."  
      800 
        POUND JESUS  
      "I saw 
        a garage sale, pulled up in the yard/ found a statue of Jesus that was 
        eight foot tall/ he held out his arms and seemed all alone/ so I loaded 
        him up and drove him home/ out by my driveway he looks down the street/ 
        long hair and sandals made of rebar and concrete." - 800 Pound 
        Jesus - Paul Thorn-Billy Maddox.  
      
         
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          Thorn 
            also has his dad to thank for taking him on the road to religious 
            rallies as a tot and the song 800 Pound Jesus - one of his 
            many tunes recorded by chart topping band Sawyer Brown. 
             
            The song is about a statue in his father's yard that managed to stay 
            upright during a very bad storm. 
             
            "When I was three he would take me on the road doing revivals," 
            Thorn recalled.  
             
            "Every night before my daddy would preach, he'd put a tambourine 
            in my hand and I would sing. The biggest musical influence I have 
            is my father." 
             
            That's not all. | 
         
       
      "I'm 
        more like an evangelist, I can come to your town, shake it up, and leave," 
        Thorn says of his shows reflected on his 2005 live CD. 
      "Sawyer 
        Brown recorded six or seven of my songs down the years. They did a good 
        job - they did a video and it was on TV. I was a star in that video - 
        of all things I played Jesus.  
         
        You can see the video on Youtube. I play a homeless man who is really 
        Jesus." 
         
        Equally humorous is Joanie the Jehovah Witness Stripper. 
         
        Kentuckian singing actor Billy Ray Cyrus recorded Thorn's barn storming 
        Burn Down The Trailer Park. 
         
        "I lived in a trailer and sometimes I'd get so mad at my girlfriend 
        that I'd feel like burning the place down with her in it," Thorn 
        recalled of the song rejected by mainstream radio for being too real. 
      MAMA 
        TRIED   
      "He 
        was a singing cowboy of the silver screen/ my mama got his autograph in 
        1963/ she was young and she was starstruck/they had a one night stand/but 
        he died after Fan Fair on a train to Birmingham." - Buckskin Jones 
        Illegitimate Son - Paul Thorn-Billy Maddox.  
      Although 
        many Thorn songs are auto-biographical one on Pimps & Preachers is 
        definitely not. 
         
        "Buckskin Jones Illegitimate Son is fictitious," Thorn 
        says of a song inspired by a long deceased singing cowboy. 
         
        "That song is about a woman who meets a singing star she likes and 
        they have a one night stand and she gets pregnant. It's about the illegitimate 
        son of Buckskin Jones - the singing cowboy. Before my time my mum turned 
        me onto a singing cowboy called Buck Jones. I used Buckskin Jones as the 
        name in the song but it's really a story about a groupie who gets pregnant 
        by a star." 
         
        But She Won't Cheat On Us - about two men dating the same woman 
        - from his 2004 album Are You With Me? is rooted in reality. 
         
        "We never busted her," Thorn recalled of an incident long before 
        his 18 year marriage that he drolly depicted "I didn't sleep with 
        your woman/ we stayed awake all night." 
         
        But Thorn, who travels with his band, has no desire to test stormy waters 
        outside marriage.  
         
        "Everybody is fascinated by someone on stage," says Thorn whose 
        other mirthful marital tunes include I Guess I'll Just Stay Married 
        and Ain't Love Strange. 
         
        "If the show is going well, these women in their minds, start seeing 
        me as desirable. I stopped wearing a wedding ring because I got tired 
        of women hitting on me." 
         
        Thorn's wry tune I Don't Like Half the Folks I Love is a sibling 
        of sorts of Texan Robert Earl Keen's hilarious Merry Christmas From 
        The Family. 
         
        Equally vivid is Sister Ruby's Prayer. 
         
        "It's about a real street preacher," Thorn revealed. 
         
        "She's one of those $10 psychics. She'll tell you about your life 
        for $10 for 10 minutes - give her $40 she'll tell you about your life 
        for an hour. But in reality I don't think she knows what's she's talking 
        about. My experience when people charge you for spiritual advice it's 
        fake. I don't think you should sell that type of thing." 
      TAWDRY 
        TUPELO TOURS  
      "Midnight 
        at Graceland in '72/ shooting TVs with groupies in the Jungle Room/ a 
        little fame and fortune was all he had left/ he had become a parody of 
        himself/ they dug his grave by the kitchen door and millions of blue-haired 
        ladies took the guided tour/ his Chinese fan club came over on a boat/ 
        and took pictures at his birthplace in Tupelo." - Even Heroes 
        Die - Paul Thorn.  
      Thorn was 
        born in Kenosha, Wisconsin, but raised in Tupelo - famed Mississippi hometown 
        of Elvis and Tammy Wynette.  
         
        And it was there, like Elvis, he was raised on gospel and country. 
      
         
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             "That's 
              one thing I have in common with Elvis, who is from my hometown of 
              Tupelo," Thorn recalled. 
               
              "In my town, they had two kinds of churches, the ones where 
              the white people went and the ones where the black people went. 
              Since my dad was a minister, we'd sometimes go worship with the 
              black churches and the music in the black churches was different 
              than in my church. The black churches had music that sounded like 
              Soul. In my church, they played more Country Gospel music. So the 
              Country Gospel and the Soul Gospel is really what moulded my music." 
            It 
              was also source of his poignant song Even Heroes Die. 
           | 
         
       
      "Elvis 
        was a wonderful talent but the biggest problem Elvis had was he was surrounded 
        by yes men," Thorn revealed. 
         
        "He didn't have any true friends. If he had any real friends they 
        would have held a mirror up to him and made him look at himself and make 
        him realise he was taking too many drugs. He was killing himself but everyone 
        was so scared of losing their jobs they wouldn't say anything. They just 
        stood around and watched him die. That was the biggest tragedy of Elvis. 
        Sadly he didn't have any real friends, as famous as he was they all wanted 
        something from him.' 
         
        Despite the song sentiments the singer returns to Tupelo each year. 
         
        "I'm happy to say I have a big following in my hometown and I play 
        there once a year at the Elvis Presley festival," Thorn confessed. 
         
        "It's incredible, thousands of people come out and see me play and 
        that makes me feel good. Before I play each year they have this private 
        party for those people who were in Elvis's entourage. Scotty Moore was 
        Elvis's original guitar player and they have this private jam session. 
        I get to play on stage with Scotty on some of Elvis's originals. When 
        you get to do something like that it's pretty surreal, to be appreciated 
        in my home town playing with Scotty Moore. That's something people dream 
        of. Now I am on the verge of touring a country I've never been - Australia. 
        And the people seem to want me to come over there. 
         
        I'm just excited - not many people get the opportunity I've got. Coming 
        to Australia is another experience I've been really looking forward to." 
         
      KIEFER 
        SUTHERLAND AND MOVIES  
      "I can't 
        get no traction when I look into your eyes/ when you kiss me tenderly 
        my wheels get paralysed/ somewhere down the highway I'm gonna find that 
        exit sign/ but I can't get the wheels turning I need a heart with a 4 
        wheel drive." - Heart With A 4 Wheel Drive - Paul Thorn-Billy 
        Maddox. 
      Music buffs 
        have a chance to see Thorn's cinematic video for Pimps & Preachers 
        on Nu Country TV on Saturday June 22 at 9.30 pm on C 31. 
         
        Others may have also heard his songs in movies and documentaries. 
         
        "Yes, I've had songs in movies," Thorn revealed. 
         
        "I had a song in Kiefer Sutherland 1997 movie Truth Or Consequences 
        and a Lou Diamond Phillips telemovie. Some I had songs in were like HBO-Cinemax 
        movies. Songs in movies are like songs on albums. If you have a song in 
        a hit movie you get a lot more exposure - most are in TV movies. Being 
        in movies is not something I sought out. The only way it happens is people 
        accidentally found my music - it's not something I pursued. It happened 
        by accident." 
         
        So does Thorn have an active publisher to pitch his songs? 
         
        "My publisher is me, I control my own publishing," says Thorn 
        who is also an accomplished artist with his animated art work adorning 
        his album covers. 
      "Kiefer 
        put my song in his movie because he was a fan of my music and had my CD. 
        That was it. Heart With a 4 Wheel Drive was a rock song." 
         
      
         
          
             
              Paul 
              Thorn - CD Artwork 
           | 
          So as 
            a former radio programmer I vividly recalled a short lived band called 
            4-Runner's version of the song. 
             
            "That was one of the worst versions of my songs I ever heard," 
            Thorn told me. 
             
            "They took all the soul and squished it out - it was like how 
            white can we make this?" 
             
            Say no more. 
             
            "I'm a truly independent artist, we have our own recording studio 
            and I do the art work for all album covers," Thorn said of his 
            thriving cottage industry. | 
         
       
       "I've 
        been doing it full time since 1997 - every record I put out. A lot of 
        people start their careers at the top and spend their careers going down. 
        I've spent my whole career going up. I'm very excited about it." 
       WARS 
        OF THE ROSES  
      "Muslims, 
        Christians, Buddhists got their own version of the truth/ there's a line 
        in the sand/ there's a war going on/ they forgot to remember, you might 
        be wrong." - You Might Be Wrong - Paul Thorn-Billy Maddox. 
      
         
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          The 
            timing of Thorn's Australian tour dovetails with the spate of terrorism 
            inflicted by international religious wars seeping into our culture. 
             
            His song You Might Be Wrong reflects all of that. 
             
            "It takes on extra meaning because religion is like laundry detergent," 
            Thorn explained. 
             
            "They all claim they'll get you cleaner. But when I was a kid 
            I believed in church and Jesus and all that but when I left home I 
            went into different countries and met people who were completely different. 
            It wasn't Jesus. It was some other guy - Buddha or Allah. For me what 
            most people believe is what they were told as children and never questioned 
            it.  | 
         
       
      Sometimes 
        people get arrogant and they profess the absolute truth." 
         
        So Thorn rips a leaf from Tom Pacheco's well-worn song book about the 
        other side. 
         
        "From what I learned the only people who knows what's gonna happen 
        on the other side of life are the people who are dead and I haven't been 
        able to talk to any of them," Thorn says. 
         
        "So I've come to my conclusion we should all be home boys and whatever 
        you believe you might be wrong."  
         
        Thorn is more optimistic in Better Days Ahead, inspired by the 
        recurring New Orleans floods. 
         
        "Yeah, everything I write, even if there's sadness in there, I try 
        to put something in about hope, some way out of it," Thorn says. 
         
        "If you just sing about sad stuff with no redemption, you're just 
        perpetuating misery. We're living in a world today where everything is 
        so cruel and heartless. You turn on the TV, and the hook of these reality 
        shows is exploiting people's misery. Like American Idol, when they laugh 
        at people who really want to be singers, instead of pulling them to the 
        side in private and going, "Hey, I know you want to sing, but you 
        just don't have it." Instead, it's vogue to humiliate them on national 
        TV. I don't want to be a part of that. 
       RAY 
        WYLIE HUBBARD  
      "Robbin' 
        and shootin' and rapin' and killin'/ bloody murder, molestin', runnin' 
        airplane into buildings/ every time I turn around somethin' else is goin' 
        wrong/hey hey, hey, tell me, what the hell is goin' on?" - What 
        The Hell Is Goin' On - Paul Thorn.  
      
         
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          Thorn 
            resurrects Ray Wylie Hubbard's album title track Snake Farm on 
            his 2012 album What the Hell is Goin' On? 
             
            Billy Maddox produced the disc - featuring only one Thorn original 
            (the title track) - that features the McCrary Sisters and Delbert 
            McClinton. 
             
            "I wanted to take a break from myself," he revealed, "do 
            something different, and just have fun." 
             
            Thorn and his band cover songs by Donnie Fritts, Buddy Miller, Al 
            Anderson, Shawn Camp, Elvin Bishop, Pat McLaughlin, Foy Vance and 
            Wild Bill Emerson. | 
         
       
      He also included 
        Steve Buckingham-Stevie Nicks tune Don't Let Me Down Again from 
        the duo's debut and Paul Rogers Free song Walk In My Shadow. 
         
        Despite requests for covers, Thorn rarely has to revert to his previous 
        career at gigs.  
         
        "One time a guy came up on the stage and was drunk," Thorn recalled. 
         
        "He took his shirt off and took the microphone out of my hand. He 
        had been drinking and the best way to stop somebody when they're drinking 
        is to give them a punch in the pit of their stomach. He dropped to his 
        knees because a belly full of beer and a punch to the gut - that ain't 
        a good combination." 
         
        Although Thorn released the not so cryptically titled 2001 EP Still 
        No Hits he is happy with his diverse careers down the years. 
         
        "Back when I failed the sixth grade, I never thought I'd amount to 
        anything in life," he recalled.  
         
        "But look at me now. I'm the most famous guy you never heard of. 
        I have a loyal group of core fans who seem to enjoy what I do and love 
        them all." 
         
        Planet-MGM released Pimps & Preachers here on June 7 for Thorn's 
        tour that begins in Kincumber on June 19, moves south to Sydney and then 
        back up north to Broadbeach. 
         
        The 27 track double CD - replete with 14 demos including the satiric Honky 
        Tonk Neanderthal classic - is on sale at all gigs. 
         
        They include Northcote Social Club on top of Beer Can Hill on June 23 
        and Gippsland gateway Hallam Hotel, for those who prefer seating, on June 
        25. 
         
        CLICK HERE for Tonkgirl's Gig Guide for all 
        tour dates.  
      
       
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