| DAVE'S 
        DIARY - 23 OCTOBER 2005 - DANNY O'KEEFE  DANNY 
        O'KEEFE - BLUES NO MORE  "Everybody's 
        gone away/ believe this time they've gone to stay/ there's not a soul 
        I know around/ everybody's leavin' town, some gotta win, some gotta lose/ 
        Good Time Charlie's got the blues." - Danny O'Keefe 
         
          |  Danny 
              O'Keefe | Danny 
            O'Keefe might be best known here for his classic oft-recorded song 
            Good Time Charlie's Got The Blues. 
 But the singer, born in Spokane and raised in Wenatchee, Washington, 
            has a brace of albums dating back to 1966 that have a rich vein of 
            country songs featuring the Nashville A team pickers of that era.
 
 Although he developed a love of music at high school in St Paul, Minnesota, 
            where his grandmother owned a stockman's hotel, his songwriting was 
            prompted by a near fatal motor cycle accident.
 
 And O'Keefe will showcase his deep catalogue on his first Australian 
            tour that begins at Basement Discs - embryonic Nu Country TV sponsor 
            - on Wednesday November 16.
 
 O'Keefe also performs at the annual Troubadour festival from November 
            18-20 and also the Corner Hotel, Richmond on November 22.
 |  CLICK 
        HERE for details.
 Equally importantly he agreed to be filmed for Nu Country TV at Basement 
        Discs after he visited our internationally acclaimed web page.
 
 "I am fearless. Sign me up. I certainly don't look as worse for wear 
        as Billy Joe and Kinky," O'Keefe joked.
 
 "Of course they've lived much harder lives than I."
 THE 
        BRIEF O'KEEFE CV  
         
          | O'Keefe 
            honed his craft live in Minnesota and New York before recording his 
            1966 debut single Don't Wake Me In The Morning and That 
            Old Sweet Song for the Seattle-based Jerden label. 
 The Panorama label released an album of his demos in 1966.
 
 He next performed with Seattle based psychedelic band Calliope and 
            made one album Steamed for Buddah Records in 1968.
 
 Atlantic Records CEO Ahmet Ertegun signed O'Keefe to its Cotillion 
            subsidiary after being sent a tape of Good Time Charlie's Got the 
            Blues, penned in 1967.
 |  |  Elvis Presley, 
        Charlie Rich, Willie Nelson, Mel Tormé, Dwight Yoakam, Jerry Lee 
        Lewis, Cab Calloway, Leon Russell and Waylon Jennings covered the song 
        over the years and kept the wolves from Danny's doors.
 In 1972, O'Keefe cracked the Top 10 with the classic version of his song.
 
 "It's just so bone simple. You can't take anything else away from 
        it," O'Keefe revealed in a recent interview.
 
 "And it was a perfect little encapsulation of where I was at the 
        time, which is why I still love it. I was barely a guitar player and learning 
        my trade. I hadn't been very successful at it, and friends of mine were 
        just starting to get some success and were literally leaving Seattle to 
        go to L.A., and I wanted to go with them."
 
 During the sixties many artists, including Glen Campbell, expressed interest 
        in the song but were put off by one line.
 
 "In '67, if you had a line that made any reference to drug use, no 
        one would touch it," O'Keefe said.
 
 "And it had [the line] 'I've got my pills to ease the pain.' But 
        it was true. I'd been in a motorcycle accident, and I was almost strung 
        out on codeine. Finally somebody did change it and said, 'I got my booze 
        to ease the pain,' or something, and I think it did make the country charts. 
        It wasn't a big hit or anything."
 
 O'Keefe confesses his worst job was working in the Boeing mailroom.
 
 "I had shattered my femur in a motorcycle accident the year prior 
        and was in constant pain. The mailroom job required a great deal of time 
        on my legs and considerable overtime that had to be worked. The pain became 
        overwhelming one day, and I just walked out. Pain has been one of the 
        constants that propelled me into a songwriting career and I suppose it's 
        an essential to art. Technique and understanding are the great palliatives 
        as is the reward of the audience's appreciation."
  MUSCLE 
        SHOALS DEBUT  
         
          |  | O'Keefe 
              recorded most of self titled debut disc in Muscle Shoals with Eddie 
              Hinton and Jimmy Johnson on guitar, Barry Beckett on keyboards, 
              drummer Roger Hawkins and bassist David Hood whose son Paterson 
              is a focus of the Driver By Truckers. 
 Four of the songs were cut in Hollywood with Flying Burrito Brothers 
              bassist Chris Etheridge who toured here many times with Shotgun 
              Willie Nelson.
 
 O'Keefe also played guitar on the original of Good Time Charlie's 
              Got The Blues that was reprised on his Arif Mardin produced 1972 
              Atlantic disc, also self titled.
   |  Reggie Young 
        guested on guitar and headed the Nashville A team pickers who played on 
        the singer's 11 originals and a cover of Hank Williams Honky Tonkin. O'Keefe also 
        wrote 10 of the 11 songs on his 1973 Atlantic disc Breezy Stories 
        and all of his 1975 disc So Long Harry Truman with Linda Ronstadt, 
        Sneaky Pete Kleinow, David Grisman and some Eagles flying in for guest 
        roles.
 He also wrote nine of the 10 songs on 1977 album American Roulette 
        and all on 1979 disc The Global Blues.
 
 Aptly titled Coldwater released his 1984 album, The Day to Day.
 
 The owners had 20,000 copies pressed, but didn't have the money to pick 
        them up. All but a few of the discs were turned into scrap vinyl.
 
 In 1990, Chameleon Records reissued the disc (retitled Redux) on 
        CD with two new tracks.
 
 Only 5,000 of the discs were pressed but it earned radio airplay and light 
        rotation on VH1.
 
 The first run of discs sold out, but the company was fading and didn't 
        press any more.
 
 O'Keefe released another album, Runnin' From the Devil, on Seattle-based 
        Miramar Records in 2000.
 
 "There was a great sense of enthusiasm from all involved that made 
        the recording process fun again," O'Keefe said.
 
 "Miramar Recordings was a Seattle-based company that was in the process 
        of reforming, and I wanted to work with a company I could have a more 
        personal relationship with.
 
 Unfortunately, they went bankrupt not long after the release of Runnin' 
        From the Devil and that, accompanied by some complications I had from 
        a surgery gone awry, made touring problematic. Recording makes sense as 
        an artistic endeavour because the process avails you the canvas to flesh 
        out musical ideas. You need the promotion and production aspects to make 
        it a success, however."
 
 O'Keefe released his latest album Don't Ask in June, 2003, on Bicameral 
        with writing partner and longtime friend Bill Braun.
 
 Australian label Raven and U.S. company Rhino have released O'Keefe compilations.
  OTHER 
        COVERS  
         
          |  | O'Keefe's 
            early albums featured steel guitars and fiddles but O'Keefe wasn't 
            limited to one genre. 
 He mixed country with jazz, R&B and rock.
 
 "I don't think the marketing guys had a clue as to what to do 
            with me," says O'Keefe.
 
 Judy Collins recorded his song Angel Spread Your Wings and 
            Jackson Browne cut The Road on Running on Empty.
 
 Mel Torme performed Good Time Charlie's Got The Blues in a poignant 
            episode of the 1980s sitcom Night Court.
 
 Donny Hathaway and Leo Sayer both did versions of his song Magdalena.
 |  Alison Krauss 
        recorded the O'Keefe-Dave Mallett song Never Got off the Ground 
        on her 1999 album Forget About It and Nickel Creek and Ute Lemper 
        have also covered his songs.
 Linda Ronstadt is a supporter.
 
 "She was a dear friend," says O'Keefe.
 
 "That was a lot of fun because she was going first class. So I got 
        to be in the Lear Jet, too. I tell ya, you know, there's a certain addictive 
        quality to being able to come out of the Plaza Hotel at 5 o'clock in the 
        afternoon and get in the limousine with all your pals and go zipping to 
        the private airport while the paparazzi ride alongside snapping pictures 
        of you, and then you go on to the runway and get into the Lear Jet, and 
        you're at the gig a half an hour later. You can see why people get very 
        fond of that lifestyle. I wasn't allowed to get too fond of it!"
 
 American Roulette contained some of his strongest material, but 
        it was recorded in a drugged haze.
 
 "To this day I kick myself," says O'Keefe.
 
 "The first of the album was recorded in Johnny Mercer's studio. Here's 
        Johnny Mercer sitting in the front office, one of the greatest lyricists 
        and songwriters of all time. He's dying of cancer. He's a very open and 
        generous and friendly guy. All I have to do is go in there and hang out 
        with him and learn what he could've taught me. Maybe even have written 
        a song with him! But, you know, I'm stumblin' in there with my ego inflated, 
        and too high and too blind to recognize all the opportunities that I had 
        there."
 
 O'Keefe became a contract songwriter for publishing companies including 
        one owned by Bob Dylan with whom he collaborated on one song.
 
 Unfortunately, his songs were too esoteric for Nashville.
 
 MORE LATER
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