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       DAVE'S 
        DIARY - 11 JANUARY 2010 - MIRANDA LAMBERT CD REVIEW 
      CD 
        REVIEW  
        MIRANDA LAMBERT  
        REVOLUTION (SONY) 
       
        MIRANDA MAINTAINS THE PAIN  
      "I put 
        a bullet in my radio/ something just hit me funny, I don't know/ just 
        pulled the trigger going down the road/ you slammed the door and knocked 
        me off the wire." - Maintain The Pain - Miranda Lambert.  
      
         
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          When 
            Miranda Lambert kicked off her fourth album with White Liar - 
            a song about cheating and revenge - she was shooting from the family 
            hip. 
             
            Her guitarist dad Rick once nailed bad dudes in former careers as 
            a Dallas undercover narcotics cop and private detective. 
             
            Although the Texan revels in public persona as a feisty fraulein she 
            keeps her powder dry until she puts a bullet in her car radio in Maintain 
            The Pain. 
             
            She also ignites rage in Canadian Fred Eaglesmith's Time To Get 
            A Gun and Sin For A Sin - penned with long time Oklahoma 
            partner Blake Shelton. 
             
            But the singer is not a bucolic Belle Star hell-bent on shooting out 
            lovers' lights. | 
         
       
      At 25 the 
        singer is sharp enough to inject her songs with equal doses of small town 
        charm, big city swagger and plentiful pathos.  
      The character 
        in Only Prettier - one of four collaborations with Natalie Hemby 
        - spreads her rural roughage from behind a mask and tills faded love with 
        a floral metaphor in Dead Flowers. 
         
        The latter song exploits the imagery of expired Christmas lights and Valentine's 
        Day flowers. 
         
        It's a stark contrast to male addiction to love in Me And Your Cigarettes 
        - penned with Shelton and prolific songsmith Ashley Monroe, occasional 
        collaborator with fellow fireball Catherine Britt.  
         
        The hapless male's mama warns him he is a slave to his female partner 
        just like his nicotine crutch.  
       AIRSTREAM 
        DREAMS 
      "Some 
        times I wished I lived in an Airstream/ homemade curtains, lived just 
        like a gypsy/ break a heart, roll out of town/ cause gypsies never get 
        tied down." - Airstream Song - Miranda Lambert-Natalie Hemby. 
      Lambert and 
        producers Frank Liddell and Mike Wrucke employ strategic sequencing mid-way 
        through the 15-song album. 
         
        They pair the wanderlust of Airstream Song with the sweet shelter 
        of the loving arms of her character's partner in Makin' Plans. 
         
         
        Then a trifecta of covers - Time To Get A Gun, Julie Miller's demonic 
        Somewhere Trouble Don't Go and narcotic nostalgia of returning 
        to the embryonic home in The House That Built Me by seasoned songsmiths 
        Tom Douglas and Allan Shamblin.  
         
        One suspects that's a future single, replete with heart wrenching video 
        clip. 
         
        Now back to sequencing. 
         
        Love Song - penned with Shelton and Lady Antebellum alumni Dave 
        Haywood and Charles Kelley - finds the female lead a considerate partner. 
         
        But the tattooed temptress in Heart Like Mine - a sibling perhaps 
        to the character in Only Prettier - is a good old girl with paternal 
        love rising above fondness for booze. 
         
        Sure, the character's brother has the family intellect but the patriarch 
        practices his own brand of Christianity with equal love for both offspring. 
         
        "I heard Jesus, he drank wine/ and I'd bet we'd get on just fine." 
         
       SINS 
        AND SALVATION 
      "I remember 
        vividly what that vision did to me/ you laying with her in our bed/ love 
        can be a tragedy when you do what you did to me/ all I'm seeing now is 
        red." - Sin For A Sin - Miranda Lambert-Blake Shelton.  
      
         
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          Sin 
            For A Sin is the sibling of White Liar where revenge is 
            the chosen antidote. 
             
            But hang on - the sinned against reaches for another Christianity 
            clutch before the temptation of summary justice. 
             
            Guns and knives are holstered as the victim seeks another bloodless 
            option. 
             
            "Bible told me to forgive all those who trespass against/ tread 
            their feet on sacred ground/ bad things come with consequence/ what 
            feels good hurts in the end." | 
         
       
      So Lambert's 
        character has second thoughts before pulling the trigger for a sweet segue 
        into John Prine's whimsical That's The Way That The World Goes Around. 
      Virginia 
        Bluebell - a positive paean about rising above self doubt - is a fitting 
        finale for a disc that sprouts on the vine. 
         
        Lambert now has the chart clout to attract harmony singers diverse as 
        Shelton, Buddy Miller, Randy Scruggs, Ashley Monroe, Charles Kelley and 
        Chris Stapleton of The Steeldrivers. 
         
        But who will accompany her here on her belated tour - maybe in 2011?  
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