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       DAVE'S 
        DIARY - 5 MARCH 2014 - LIAM GERNER CD REVIEW 
      LIAM 
        GERNER  
        LAND OF NO ROADS (SHOCK) 
       
        HANK AND TAMMY AND THE TEXAN JUDGE 
      "Hank 
        and Tammy, man and wife 69 years old/ living hand to mouth and Winnebago 
        for their home/ too poor to retire and too old to employ/ so they took 
        to running cocaine for the Mexican cartel/ as they drove through Texas 
        they crashed in Anuhuac/ smashed into the fence of the local judge's ranch/ 
        the judge came out to help them and he did just that/ he picked up their 
        sacks of cocaine and handcuffed them to the rack." - Hank And 
        Tammy - Liam Gerner-Eric Lynn.  
      
      The beauty 
        of Australian community radio is the eclectic music of the more discerning 
        hosts - especially in Victoria. 
         
        That's how I discovered Liam Gerner - another Adelaide hills export who 
        lived and toured overseas to source credible country songs that ride high 
        in the saddle of American peers diverse as Texans Robert Earl Keen, Ray 
        Wylie Hubbard, Billy Joe Shaver and Woodstock legend Tom Pacheco. 
         
        While riding through the leafy eastern suburbs of the garden state I was 
        tuned to PBS-FM pioneer and Wimmera wheat belt son of the soil David Heard's 
        Acid Country a few months before his satirical Georgian music theme writer 
        Tim Wilson went to God on February 26 at the tender age of 52. 
         
        There, loud and clear on a summer's day, I was enthralled to hear the 
        narcotic narrative Hank & Tammy - the saga of two senior citizens 
        whose dope run from Mexico to Florida ended in Texas when they crashed 
        their Winnebago into the ranch of a local judge. 
         
        Gerner's crime classic impacted with the same clout I enjoyed when I first 
        heard Keen's classic The Road Goes On Forever and Pacheco parable 
        Robert & Ramona. 
         
        In Gerner's memorable classic the spritely travellers, both 69 and holding 
        their dream retirement package in their RV steed, bite the dust in the 
        tail of the tale with no bail from the Mexican cartel mule handlers.  
         
        Instead of retiring on a sunny Florida beach after a brief but chilling 
        ice and cocaine fuelled superannuation sprint the couple, who shared monickers 
        with long deceased country music king Hank Williams, who expired at 29 
        in the back of a Cadillac in 1953, and queen Tammy Wynette who met her 
        maker at 55 in 1998, they are doomed to life and death in a Texas jail. 
         
        Laced with a dash of banjo and concertina it's one of many highlights 
        on Gerner's 11 track disc recorded at Rick Rubin's Shrangi La Over 3 studio 
        in Malibu and produced by his engineer and co-writer Eric Lynn. 
         
        Gerner cut his album after cutting his teeth on a Trans-Atlantic trek 
        that began in London with pit stops in the U.S. where Gerner toured with 
        artists diverse as Jason Isbell, Drive By Truckers, Oscar winner Ryan 
        Bingham, Dale Watson, Jackson Browne and April tourist and singing actor 
        and Rhodes Scholar Kris Kristofferson. 
         
        It's Gerner's incubation as a road scholar of a different sort that fuels 
        this album with a little help from friends Gary Louris, Robbie Fulks, 
        Cajun accordionist Steve Riley and Lucky Oceans - expat Texan multi-instrumentalist 
        and Asleep At The Wheel co-founder, also an ABC radio and TV host in Fremantle. 
      DEBT 
        AND DENIALVILLE 
         
        "Well I woke up this morning like shattered bottle by the bed/ only 
        when a cookie's broken will fortune come to it/ my head feels like an 
        anchor that's caught under a rock/ nobody in my state would ever pull 
        it up." - Debt And Denialville - Liam Gerner-Eric Lynn.  
      Gerner's 
        journey began 30 years ago in the Adelaide hills - not far from where 
        Greencards co-founder Kym Warner, Quorn born Jedd Hughes and songbirds 
        Beccy Cole and Kristy Cox flew the nest. 
      
         
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             His 
              album begins with the wry tale of woe - Debt And Denialville 
              that segues into Hank And Tammy and reluctant young lovers' 
              wedding requiem Say I Do. 
            Equally 
              regret tinged is What Could Have Been, with slide guitar, but the 
              singer lands punches on Rich Man - a tune that treads a well-worn 
              theme of monetary inequality between a spoiled affluent male and 
              salt of the earth female who has survived a two decade toil at the 
              coal face from the age of 13. 
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      But it was 
        a different hill country in Topanga Canyon in California that inspired 
        Mother Nature's Runaway Girl - the tale of a woman who flees her 
        work place for the freedom of the bush. 
         
        And All We've Ever Done is another ruptured romance requiem where 
        summer love rusts and burns out with wine and weather metaphors. 
       THE 
        RESURRECTION OF HENRY BOX BROWN  
      
      "Eighty 
        six dollars is what the papers said/ freedom's worth much more than the 
        postage paid/ get yourself some freedom before you're six feet down/ go 
        be disappearing like Henry Box Brown." - The Resurrection Of Henry 
        Box Brown - Liam Gerner-Eric Lynn. 
      
         
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          Narratives 
            are Gerner's strong suit - especially the real life Virginia tobacco 
            slave's escape from serfdom to Philadelphia in The Resurrection 
            Of Henry Box Brown. 
             
            I won't spoil the exact escape plot of a song that could have been 
            an apt musical choice for the soundtrack of Oscar winning movie 12 
            Years A Slave. 
             
            Gerner read the story of Henry Box Brown circa 1816 in Richmond, Virginia, 
            while living in the U.S.  | 
         
       
      Henry Box 
        Brown was born into slavery - his wife and two children were sold and 
        he never saw them again. 
         
        Brown's escape - preceded by self-inflicted sulphuric acid burn wounds 
        and aided and abetted by a white store keeper and abolitionist - has a 
        Houdini like sting in the tail. 
         
        "I wrote the song that day and performed it that night," Gerner 
        revealed.  
         
        The song subject's escape is followed by a 25 year odyssey in England 
        where he toured with his anti-slavery show and married an English woman 
        who became his second wife. 
         
        The despair driven Window To A Wall - penned with Louris - and 
        laid back transient love title track finale are punctuated by the whimsical 
        Son Of A Scoundrel - an anthemic and humorous homily about our 
        convict roots here in the southern colony capital. 
         
        Henry Box Brown and Son Of A Scoundrel are sibling songs 
        in title but not theme or nationality. 
         
      
         
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          Maybe 
            that's one of Gerner's many strengths - mixing and matching cultures 
            and social mores with rampant sense of humour.  
             
            His supply of all 11 song lyrics on post cards is a novel and creative 
            career catalyst - something his Nashville confidantes Tom T Hall and 
            Marty Stuart have yet to chance their arm on.  
             
            You won't hear Gerner on the me-too corporate chains of mainstream 
            radio - try Acid Country or Denise Hyland's Twang on RRR-FM. 
             
            You won't need to suffer the tuneless techno tattooed texting twerp 
            tribe with hats back to front, topped off with piercings and shrapnel 
            protruding from unusual orifices on feral airwaves. | 
         
       
      On a recent 
        trip to a myopic mall I shirt-fronted a texter but on my subsequent search 
        and destroy mission of a nearby chain store failed to locate a tailor 
        made matching hat back-to-front range of apparel in the millinery aisle. 
         
        But I digress. 
         
        Hank And Tammy wore all seasons head wear and sensible shoes before their 
        incarceration in a Texas jail - and Henry Box Brown had more serious things 
        on his mind in his escape and freedom.  
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