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       DAVE'S 
        DIARY - 11 JUNE 2007 - TIM MCGRAW CD REVIEW 
      CD 
        REVIEW - 2007 
        TIM MCGRAW  
        LET IT GO (CURB-SONY-BMG) 
      "I'll 
        grab my old guitar/ I'll take a pencil from a jar/ open up a bottle of 
        90 proof and write a song for you/ like Kristofferson would do." 
        - Kristofferson - Anthony Smith- Reed Nielsen. 
      
         
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          When 
            Taylor Swift scored her debut hit at 17 with her single Tim McGraw 
            she struck a familiar chord and continued that time honoured tradition 
            of name checking heroes and heroines.  
             
            The schoolgirl from Wyomissing, Pennsylvania, soared to fame when 
            her music was streamed more than 14 million times on My Space and 
            Tim McGraw sold more than 500,000 digital downloads. 
             
            The song also became the CMT breakthrough video of the year.  
             
            Now McGraw, 40, has joined the song name game by including a new song 
            called Kristofferson on his 11th album.  
             
            McGraw didn't write the song - it came from the pens of prolific writers 
            Anthony Smith and Reid Nielsen. | 
         
       
      Tim and co-producers 
        Byron Gallimore and Darran Smith, also leader of his studio-road band 
        The Dance Hall Doctors, have a knack of picking hits from grateful peers. 
         
        Ironically, the song that breaks the country pop mould here on his 11th 
        album is Train #10 that McGraw wrote with Warren Brothers Brad 
        & Brett who played a low key gig at the Continental Café on 
        their Australian promo tour in the nineties. 
         
        It chugs along with a driving rock rhythm and becomes refreshing roughage. 
         
        McGraw said he writes plenty of songs but doesn't like most of them enough 
        to record. 
         
        "Every now and then something comes up that I co-wrote that I really 
        like," he said.  
         
        "I think the older I get as an artist, there are more avenues I want 
        to explore." 
         
        Last year, for the first time, he released a song he co-wrote, My Little 
        Girl, - from the soundtrack of his movie, Flicka. 
         
        The movie soundtrack has been released on Style Sonic - a label created 
        by McGraw and Gallimore. 
       LORI 
        MCKENNA  
      That label 
        also features singer-songwriter Lori McKenna who wrote the new McGraw 
        tune I'm Working with bluegrass artist Darrell Scott - writer of 
        some Dixie Chicks' hits. 
         
        McGraw opted for Big Kenny Alphin of Big & Rich to provide his first 
        hit single Last Dollar (Fly Away). 
         
        McGraw and Gallimore also chose a little nepotism with their offspring 
        - daughters - singing on the final chorus. 
         
        "You know, Big Kenny wrote it, and when Big Kenny gave me the CD 
        of it and I was listening to it over and over and over," McGraw revealed. 
         
        "The girls were just singing it every time they heard it. They'd 
        tell me to play the demo. I think they liked Big Kenny better than they 
        do me. But I just thought it was cute, and they did a great job on it." 
         
        And, of course, McGraw's singing spouse Faith Hill - mother of three of 
        those divas - also duets on the obligatory love ballad I Need You - 
        penned by David Lee and Tony Lane. 
         
        McGraw mixes booze on Whiskey And You, death on Nothin' To Die 
        For, ruptured romance and other country staples on a disc that also 
        has an Australian connection in its finale - Shotgun Rider. 
       SHERRIE 
        AUSTIN  
      
         
          One 
            of three co-writers is Australian born singer Sherrie Austin who was 
            also known here in her homeland as actress Sherry Kren who opened 
            for Slim Dusty as a 12 year old while living in Townsville. 
             
            The Tasmanian born singer also appeared as a teenager with Jason Donovan 
            in the mini series Shadows Of The Heart. 
             
            In more recent time she impressed New York critics in her starring 
            role in a limited run of stage show The Ballad of Bonnie & 
            Clyde.  
             
            Her last album was Streets of Heaven in 2003.  
             
            This Shotgun Rider is not the same song as the Johnny Slate-Larry 
            Henley-Jim Hurt tune that was recorded by singing actor Joe Sun in 
            1979 and a year later by veteran Texan Delbert McClinton. | 
            | 
         
       
      The melody 
        is highly reminiscent of the Ed and Patsy Bruce song Mamas, Don't Let 
        Your Babies Grow Up To Be Cowboys - an historic hit for Waylon & 
        Willie. 
         
        But McGraw does include his own take of Suspicions - the song the 
        late Eddie Rabbit topped charts with in the eighties. 
         
        Rabbit wrote it with his producers David Malloy and Even Stevens and writer 
        Randy McCormick. 
         
        McGraw also adds to the publishing royalties of The Warrens and Dierks 
        Bentley's producer Brett Beavers by including their tune Between The 
        River And Me. 
         
        Beavers is also Nashville producer of the belated third album by expatriate 
        Australian Catherine Britt. 
      TIM 
        MCGRAW CD REVIEW - 2003 
       
        TIM MCGRAW - DRUGS OR JESUS  
      "I'm 
        reading street slang for dummies/ cause they put pop in my country/ I 
        want more for my money, the way it was back then." - Back When 
        - Jeff Stevens-Stephony Smith - Stan Lynch. 
      
         
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          Life 
            has long imitated art for superstar couple Tim McGraw and Faith Hill. 
             
             
            Their huge success earned them and peers a lucrative by-product - 
            movie and TV roles. 
             
            Hill, 37, landed a part with Nicole Kidman and Glenn Close in The 
            Stepford Wives and McGraw joined little mate Billy Bob Thornton 
            in Friday Night Lights that debuts this month.  
             
            It's based on the H.G. Bissinger book about the true story of the 
            1988 Permian High School Panthers in Odessa, Texas. 
             
            Tim, also 37, plays Charlie Billingsley, an alcoholic former gridiron 
            star abusive to his player son, Don. | 
         
       
      McGraw's 
        late father Tug was a baseball star who split with his wife before Tim 
        was born. 
      "I didn't 
        see it as difficult to play," McGraw says. "In fact, I thought 
        it would be easier to play than any other character I could find. We all 
        have that side to us, and I think it's fun to explore that side to yourself, 
        and especially knowing people growing up that I had seen react in those 
        ways at high school football games and baseball games. I thought that 
        I could really put a face on it." 
         
        Tim also plays a sheriff in Black Cloud, written and directed by 
        actor Rick Schroeder. 
         
        Such perks are no surprise in a nation where county music on the radio 
        is a right not a privilege - the fate Australian artists suffer. 
         
        Slim Pickens, you could pun if you saw Shotgun Willie's bus driver in 
        Honeysuckle Rose. 
         
        Although Tim is not a prolific writer he teamed with The Warrens for sessions 
        on location in Connecticut with his singing spouse who swapped old wives' 
        tales with Kidman. 
         
        THE WARREN BROTHERS  
         
        None made McGraw's 16 track seventh album, Live Like You Were Dying 
        (Sony). 
         
        But The Warrens, who once played the now defunct Continental Café, 
        scored with Blank Sheet Of Paper. 
         
        McGraw's success, with 27 million albums sold, ensures hit writers including 
        Texan troubadour Bruce Robison who played the Prahran venue with Kelly 
        Willis - mother of their twins and elder son. 
         
        Robison, who penned McGraw hit Angry All the Time, and bluegrass 
        buddy Darrell Scott penned ruptured romance requiem Old Town New 
        - on a disc kick started by a Robert Johnson echo before Hank Jr style 
        entrée How Bad Do You Want It. 
         
        McGraw's slick style may not be a patch on Bocephus but his radio friendly 
        vocals ensured his first single - the title track - topped charts for 
        six weeks. 
         
        So how did Tim and Faith choose the Tim Nicholls-Craig Wiseman tune? 
         
        McGraw says he stepped into the shower and Faith cranked the stereo, playing 
        the demo three times in a row. 
         
        So when he stepped out of the shower, he told her Live Like You Were 
        Dying would be the first single. 
         
        It's easy to see why - it's a stone country song about a man in his early 
        forties who is diagnosed with a terminal illness making the most of life. 
         
        "I went sky diving, I went rocky mountain climbing/ I went two point 
        seven seconds on a bull named Fumanchu." 
         
        A stark contrast to bi-polar pain of Kill Myself and domestic violence 
        in Walk Like A Man. 
         
        McGraw covers many bases - Steve Bogard-Rick Giles' Can't Tell Me Nothin' 
        finds a motor-bike wrecking narrator taking different forks in a road 
        to salvation saga Drugs Or Jesus and Rodney Crowell's Open Season 
        On My Heart. 
         
        Do You Want Fries With That is a deft touch on the new man taking 
        everything - a sibling of Just Be Your Tear and maybe Everybody 
        Hates Me.  
         
        With 16 songs are there criticisms?  
         
        Well, Back When is a shameless refry of Merle Haggard spoof When 
        A Buck Was Still Silver.  
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