| DAVE'S 
        DIARY - 21 AUGUST 2005 - VASSAR CLEMENTS OBITUARY  VASSAR 
        CLEMENTS RIP AT 77 BORN 
        APRIL 25, 1928 - KINARD, SOUTH CAROLINA DIED AUGUST 16, 2005 - NASHVILLE, TENNESSEE
  
        FIDDLER TO THE STARS BURNS OUT 
         
          |  Vassar 
              Clements & David Grisman |  Acclaimed 
        veteran fiddler and some time actor Vassar Clements has died at 77 after 
        a spirited battle with lung cancer.
 Clements was hospitalised for 18 days earlier this year, receiving chemotherapy 
        and other treatment.
 
 He was admitted to Summit Hospital on August 4, and tests revealed that 
        small-cell lung cancer had spread to his brain and liver.
 
 He was discharged on August 10 after he refused further treatment.
 
 Since March 10, he had endured five rounds of chemotherapy.
 
 "He had no quality of life since he'd been diagnosed," said 
        daughter Midge Cranor.
 
 Dying at home was Vassar's last wish when he refused additional treatment 
        last week.
 
 "I was holding Papa's hand and talking to him when his heart stopped," 
        said Midge, who has handled her dad's business and personal affairs since 
        her mother, Millie, died July 12, 1998 - also the victim of cancer.
 
 Vassar moved in with Midge and her husband, George Cranor, in Goodlettsville 
        2½ years ago.
 
 "I was alone with him in the room," Midge said. "I had 
        been washing his hands and his face.
 
 He'd been doing a little laboured breathing. And I said 'Papa, you know 
        you've fought a battle. God knows best. He has a plan. He's going to take 
        you from us. It's OK. Mom's been waiting for you for seven years to come 
        and lay beside her. You go on and go.'
 
 "It was just a matter of seconds. I felt of the jugular vein, I felt 
        of his pulse and laid my head on his chest. His heart had already stopped. 
        I looked at the clock. And it was 7:20."
 
 The gentleman fiddler, who worked with everyone from Jimmy Martin to the 
        Grateful Dead, had a typically humble response when asked how he wanted 
        to be remembered.
 
 He told his daughter: "I just want to be remembered."
 
 Rhodes Scholar and singing actor Kris Kristofferson, touring Australia 
        and one of many artists to enjoy Vassar's fiddling on record and stage, 
        said "He was the nicest person I ever met in the music business."
  FINALE 
        CONCERT  
         
          |  | Clements' 
            last performance was February 4 in Jamestown, New York, Cranor said. His work bridged a variety of styles, including country, jazz, bluegrass, 
            rock 'n' roll and classical.
 
 Clements made more than 30 albums in a colourful career he described 
            as Cowboy Jazz.
 
 He recorded on more than 2,000 albums, joining artists diverse as 
            McCartney, Johnny Cash, Bonnie Raitt, the Grateful Dead, Bruce Hornsby, 
            Hank Williams Jr, The Byrds, Woody Herman, The Band, John Prine and 
            the Nitty Gritty Dirt Band
 |  Vassar appeared 
        in Robert Altman's controversial 1975 movie Nashville and won a Grammy 
        earlier this year. It was for 
        best country instrumental performance on Earl's Breakdown, by the Nitty 
        Gritty Dirt Band featuring Clements, Earl Scruggs, Randy Scruggs and Jerry 
        Douglas.
 Clements once recorded with the Monkees - by happenstance.
 
 He was working on a recording session when someone asked him if he wanted 
        to stay and play on another one.
 
 "I didn't know until later it was the Monkees," he said.
 
 Clements' work ethic mixed well on the Nitty Gritty Dirt Band Will The 
        Circle Be Unbroken sessions with legends such as Roy Acuff and Mother 
        Maybelle Carter.
 
 And his penchant for experimentation melded well with the Dirt Band, a 
        group he later joined for a tour of Japan.
 
 "He loved it over there, and they loved him," said Nitty Gritty 
        Dirt Band member Jeff Hanna.
 
 "When we went onstage in Japan, there were people holding up 'Vassar 
        Clements' placards."
 FROM 
        SOUTH CAROLINA TO MUSIC CITY  
         
          | Vassar 
            grew up in Kissimmee, Florida, and taught himself to play at the age 
            of 7 and had no formal training. 
 The first song he learned was There's an Old Spinning Wheel in the 
            Parlour.
 Clements was employed at the Kennedy Space Centre in Florida for a 
            year in the mid-1960s, working on plumbing.
 
 He also worked in a Georgia paper mill, was a switchman for Atlantic 
            Coast Railroad, sold insurance and had a potato chip franchise.
 |  |  But music 
        was always part of his life.
 "It was God's gift, something born in me," Clements modestly 
        explained of his talent. "I was too dumb to learn it any other way. 
        I listened to the Grand Ole Opry some. I'd pick it up one note at a time. 
        I was young, with plenty of time and I didn't give up. You'd come home 
        from school, do your lessons and that's it. No other distractions.
 
 "I don't read music. I play what I hear."
 
 "When the rhythm is good, I can play it," he told The Associated 
        Press in a 1988 interview.
 
 He was just 14 when began an association with Bill Monroe.
 
 He officially joined Monroe's band, the Blue Grass Boys, in 1949, remaining 
        there for seven years.
 
 In 1957, he began working with legendary bluegrass act, Jim & Jesse 
        McReynolds.
 
 But in 1962 he took a long hiatus from the music industry but returned 
        in 1967 as a Nashville session musician.
 
 "I'd always play. Square dances, anything," he said
  FARON 
        YOUNG After touring 
        with Faron Young and performing solo dates, he joined John Hartford's 
        ensemble, the Dobrolic Plectral Society, in 1971. 
 He worked with guitarist Norman Blake and Dobro player Tut Taylor.
 
 They recorded Aereo Plain, an influential album considered to be 
        the first Newgrass album.
 
 The band existed for less than a year, but Clements soon found work with 
        bluegrass icon Earl Scruggs, who was pushing musical boundaries with his 
        sons in the Earl Scruggs Revue.
 
 Clements gained an even wider audience after participating in the recording 
        sessions for the Nitty Gritty Dirt Band's 1972 album, Will the Circle 
        Be Unbroken.
 
 The exposure led to work on Grateful Dead's Wake of the Flood and 
        Jimmy Buffett's A White Sport Coat and a Pink Crustacean.
 
 Clements teamed with Grateful Dead leader Jerry Garcia on banjo for Old 
        & in the Way - a bluegrass album that also featured guitarist 
        Peter Rowan, mandolinist David Grisman and bassist John Kahn.
 
 The 1975 album, Hillbilly Jazz, featured Clements playing Western swing 
        and jazz standards with a group featuring guitarist David Bromberg, steel 
        guitarist Doug Jernigan, former Elvis Presley drummer D.J. Fontana and 
        others.
  SOLO 
        CAREER  
         
          |  | As 
            a solo recording artist, Clements recorded albums released on several 
            labels, including Mercury, MCA and Rounder. 
 His most recent project, 2004's Livin' With the Blues, included 
            guest appearances by Elvin Bishop, Norton Buffalo, Maria Muldaur and 
            others.
 
 The first time Marty Stuart heard Clements playing on a recording 
            he was stunned.
 
 "It was the most lonesome, scary sound coming out of a fiddle 
            I'd ever heard,' Marty said.
 |  "I played 
        the mandolin, and once I heard this music, I ditched everything I ever 
        knew and went back and tried to play mandolin like Vassar played fiddle. 
        Years later, I played the Opry, and I saw this man playing fiddle. He 
        stood straight, with his eyes closed and he was playing the prettiest 
        music you could ever imagine. It froze me on the spot. This man is probably 
        my favourite fiddle player on earth."
 The eulogies came from far and wide.
 
 "He was one of the greatest, most creative fiddlers in country and 
        bluegrass music history," said Mark O'Connor, a virtuoso fiddler 
        who counted Mr. Clements among his musical heroes.
 Clements was recognised for his remarkable improvisational and interpretive 
        skills, his early work as a bluegrass fiddle player was quite influential.
 
 "There was such a feeling of authority in his bluegrass playing," 
        said Nashville radio station WSM-AM 650 air personality and country music 
        historian Eddie Stubbs.
 
 "His tone was so rich and powerful."
 
 In 1980, Playboy playmate Martha Elizabeth Thomsen named Mr. Clements 
        as one of her favourite performers, along with Mick Jagger, Blondie and 
        Bonnie Raitt.
  SURVIVORS 
        
 Vassar is 
        survived by his daughters, Midge Cranor of Goodlettsville, Terry Mason 
        of Tallahassee, Florida, Renee Clements of Thomasville, Georgia, and Terri 
        Swain of Fairview, Tennessee, a son, George Wilkerson of Florida; a sister, 
        Janice Hendershot of Claremont, North Carolina; and a cousin he considered 
        as a brother, Carroll Clements of Jacksonville, Florida.
 Funeral details were incomplete for this obituary.
 
 Bond Funeral Home in Mt. Juliet is handling arrangements.
 top 
        / back to diary |