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       DAVE'S 
        DIARY - 2 APRIL 2006 - BILL CHAMBERS CD REVIEW 
      BILL 
        CHAMBERS  
        FROZEN GROUND (ESSENCE-EMI) 
      
         
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          It's 
            prophetic that Bill Chambers kicks off his second solo disc with songs 
            that exploit weather metaphors to depict changes in the climate of 
            love. 
             
            Death is the equaliser in Falling Like The Snow but Chambers 
            finds escape from a dominatrix in Chasing Rainbows. 
             
            "You think you've got me by the balls/ but there's a million 
            fractures in these walls." 
            Chambers also injects his ruptured romance requiems Ain't Your 
            Town No More and Poison Blood with vast vats of vitriol. 
             
             
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      Pity the 
        vixen who inspired "every song you sing rings a bell that only losers 
        ring" in the former where the mood swings with Michel Rose on pedal 
        steel and Bill on dobro, lap steel and slide guitar. 
      But don't 
        believe Grandpa Bill, 53, is a bitter bard - those songs benefit from 
        being at opposite ends of this powerful 12-track tableau. 
         
        Chambers also dips into joyous love, giving solace to a grief stricken 
        belle in Theresa, sweetened by Tim Wedde's accordion, and covers 
        the timely Johnny Cash classic Big River with Wedde's Flood band 
        mate Kevin Bennett sharing vocals. 
         
        And that heart beats loud and long on The Island where the singer's 
        character sings of his grief leaving his lover behind. 
         
        Equally poignant This Ain't Louisiana - a chance encounter with 
        a barmaid in a "one horse Queensland town" is the carnal conduit 
        to memories of a Storyville sweetheart. 
         
        Chambers broadens his bow with biblical eulogy The Stranger and 
        paternal love in finale Little Man.  
         
        He punctuates originals with Randy Newman's Rider In The Rain and 
        the Rowland Salley classic Killing The Blues. 
         
        Chambers probably didn't need the covers - his originals prove time enriched 
        rather than dimmed his talent on a disc challenging protégée 
        Catherine Britt for best local album of 2006.  
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