BENTLEY-LEE KERNAGHAN - THE PALAIS - ST KILDA - 13 MARCH 2012
were one night late at the ornate bayside Palais when Dierks Bentley and
Lee Kernaghan shared the stage, anecdotes and songs.
there was one high flyer near stage front - Carlton star and AFL
mark of the year winner Andrew Walker and teammate David Ellard.
Walker may have been incognito to fans with his hat fashionably
back to front - but not to Nu Country TV Vice President Rod Browne
whose St Kilda team had long decamped sin city for Frankston.
The Goulburn Valley raised champ, who quoted Bentley in mainstream
media interviews, didn't need to stand to catch his idol.
But the herds of heifers lactating in the mosh pit ensured he did
when Arizona born Bentley hit the stage after a rousing set by Lee
Kernaghan and his guitar army.
He immediately inspired a buxom brunette next to this reviewer with
the collectors' tee shirt Everybody's Somebody in Luckenbach.
return to Lee's entree soon after we examine the sartorial splendour
of Bentley, 36, and atop the U.S. charts with the title track of
his seventh album Home.
down for the occasion with unintentional irony - he wore a white tee shirt
emblazoned with the legend Gram Parsons & The Fallen Angels.
So who was one of the headliners at the 36th Port Fairy festival?
Yo, it was Chris Hillman - Parsons' partner in rhyme from the Flying Burrito
Brothers and The Byrds.
Hillman and Herb Pedersen joined the Peter Rowan band as celebrants of
country-bluegrass nuptials on the Shipwreck Coast and back in the big
KERNAGHAN MILKS COWS
born country king Lee Kernaghan needed little introduction in the church
of his choice on the bay - especially to Walker whose mobile phone No
he has on speed dial.
It was a solid slab of hits from the high profile Carlton fan's career
that began in adoptive hometown Albury decades before the Murray floods.
A phalanx of guitarists Jake Lardot, Lawrie Minson, Markus Meier and Daniel
Conway with veteran bassist James Gillard and drummer Mitch Farmer in
the engine room ignited the crowd.
The singer segued from evocative Gooniwindi Moon to raucous Baptise
The Ute before a well-worn anecdote about the Shepparton agrarian
who inspired I Milk Cows.
A casual glance at the females of the species revealed healthy corn fed
and milk reared fillies in western wear with little trace of the soy latte
and tofu tragics of the inner suburbs.
Beside this reviewer was Fawkner raised Golden Guitarist and singer-songwriter
Jasmine Rae and extended family.
Kernaghan switched to piano for his famed tribute to late country king
Slim Dusty - Missing Slim.
Then it was time for a few firsts, the singer told his enthusiastic audience
- the family debut at the Palais for both Lee and his singing spouse Robby
who joined him on Springsteen classic Fire.
That song, accompanied by a video after being released on his Bringing
The Music Home CD, the bonus double deluxe release with 9th album
Planet Country - was a winner.
It preceded Hat Town - title track of the first album Robby sang
on - and Texas, Queensland that caught the ear of Texas Governor Rick
Perry, a casualty of the Republican leadership challenge.
By now the Ute lads and their flocks of femme fatales were lubricated
for embryonic hit The Outback Club.
But it was the Australian flag - not the Lone Star state ensign - that
was lowered from the meteor skyline above stage for patriotic finale I'm
An Australian Boy.
Kernaghan, 47 and father of two sons, once again proved he was a worthy
Australian Of The Year and effortless crowd pleaser.
UP ON THE RIDGE
It was a
light show befitting a fiery Phoenix from Arizona as the sextet emerged
from the majestic stage shadows.
There was Bentley wielding an acoustic guitar, guitarist Brian Layson,
bassist Cassady Feasby and pedal steel guitarist Tim Sergent who would
become more prominent as the show progressed.
The artist kicked off with riveting Friday night anthem Tip It On Back
from his new disc Home.
It was not Friday night but Bentley singer urged fans to imagine it was
the weekend as he segued into a previous album title track Feel That
Then it was another barroom anthem Am I The Only One - his first
#1 hit from Home.
Spontaneity soon became the suit of choice for Bentley as he punctuated
hedonistic hit Lot Of Leaving Left To Do with verses of Steve Young
tune Lonesome, Ornery & Mean - a tribute to and album title
track by his late mentor Waylon Jennings.
By now the smoke machines hit overdrive as the artist regaled fans with
anecdotes from his 2009 debut Oz tour with Brooks & Dunn.
Bentley introduced anthemic 5-1-5-0 from his new disc, comparing
slang of this country with his own - Utes, pick-up trucks and cold ones.
But real treats were changes of tempo as Dan Hochhalter picked up fiddle
for intro to Settle For A Slowdown from 2005 disc Modern Day
Pedal steel was a welcome audio ancillary with banjo before Free And
introduced title track of bluegrass album Up On The Ridge
with his desire to be the "coolest guy in Nashville driving
around in a Ute."
There was plentiful banjo, fiddle and steel in the outro and segue
to Come A Little Closer Baby.
And also a little humour as he explained why he chose to call new
song The Woods - not the bush.
"In the U.S. the bush would have sounded weird and not got
played on country radio," Bentley joked, the bush known as
the ferny entrance to the female genitalia north of the equator
- not the former Presidents.
"What happens in the woods stays in the woods," he quipped
and then sang in the song's chorus after his banjo player swapped
his ornate environs above and beyond the bleachers - "this is humbling
for a guy who played for tips at 19 in Nashville."
history soon became time travel as Bentley described the late Hank Williams
as "the Slim Dusty of the U.S.A."
It was just Bentley and steel guitarist Sergent "pedal steels are
a dying breed"- on a haunting rendition of historic Hank classic
Your Cheating Heart.
There have been a few cheating hearts on stage and in the audience down
the years at the venue but rarely any performances of the song in the
Back on the lost highway there was a fiddle intro to What Was I Thinkin'
from his 2003 self titled disc.
And, as a second vocal mike was set up front and centre, Bentley recalled
how he first heard his touring partner from the high country.
"I worked at TNN that operated the Nashville Network cable channel
and Lee, his sister Tania and other Australian artists appeared once a
week on the channel," Bentley revealed.
"Since then Lee's become my touring buddy, my good friend, mate and
a great bloke."
Fans expecting to hear the pair duet on their hit Scars were in
for a shock as Kernaghan emerged from the wings as Bentley sipped a pale
liquid from a glass.
It's water, Bentley said.
"What's all the Tequila bottles doing out the back," Kernaghan
"No topless girls yet, we're free and easy, aren't we Dave Dawson?"
DUSTY TRIBUTE 2
instead of Scars the stars chose a high velocity version of
the Slim Dusty hit Cunnamulla Fella.
"This is my favourite part of the show," Bentley added as
he quoted Slim hits Lights On The Hill and Pub With No Beer.
The duo then performed Scars - penned by Lee with his guitarist
Lawrie Minson and Matt Scullion.
After Kernaghan decamped it was high voltage Bentley as he revived
Sideways and extolled the virtues of a cold beer - VB - with
Gotta Have Some Cold Beer.
Bentley saved his latest #1 hit Home - inspired by the shooting
of home state Congresswoman Gabrielle Giffords - a freedom anthem
- as his pre encore teaser.
The singer confessed he wrote the song four days after the mass murder
of six people including Arizona District Court chief judge John Roll
and the politician who recovered but also retired.
gunman shot 18 people on January 8, 2011, in a supermarket car park at
Casas Adobes near Tucson in Bentley's home-state Arizona.
Jared Lee Loughner allegedly shot Giffords in the head at close range
as she chaired a public meeting near a Safeway store.
Home has since been selected as official song of Arizona's Centennial
Commission and adopted by President Barack Obama on his play list in the
Fiddle fuelled What Was I Thinking became the encore before another
delight - a bluegrass version of Waltzing Matilda.
This was not a generic mainstream concert - it was an eclectic stroll
from the fifties to mainstream country, new millennia bluegrass, Australiana
A shame the other four million Melbourne residents missed it as a natural
successor to Port Fairy.
But there was another great pleasure in Bentley's departure - Jasmine
Rae caught one of the Dierks plectrums launched into the mosh pit and
gave it to me.
The milk of human kindness at its best - Jasmine she did not accept my
offer to boomerang the plectrum.
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