| DAVE'S 
        DIARY - 10 SEPTEMBER 2004 - SHANE HOWARD THE 
        SHED THAT JACK AND MARY BUILT  
         
          |  | Shipwreck 
              Coast locals call it the house that Mary Black built - Shane Howard's 
              $20,000 home studio The Shed at Killarney west of Warrnambool.
 Howard fled the ruins of Goanna Manor - his former chart topping 
              band's St Kilda digs in the eighties - broke and battered from the 
              storms of life.
 
 Then along came Irish folk star Black and Whispering Jack Farnham.
 
 Mary recorded his family history tune Flesh & Blood in 
              1993 and took him on many lucrative international tours.
 
 Black's hit reached #5 on Irish pop charts and Black mined the Howard 
              motherlode and recorded six more of his songs.
 "I 
              should have a Mary Black wall in The Shed," Howard told Nu 
              Country on the eve of an east coast tour to promote his seventh 
              solo album Another Country. < 
              Shane Howard |  "But 
        it's also gone into education of my five daughters. It's put them all 
        through secondary school and three of them through university. Jesse is 
        doing a PHD at Oxford but I'm not paying for that luckily." 
 Howard is also indebted to national icon Farnham for hefty royalties generated 
        by his version of Talk Of The Town revived by the writer on his 
        new album.
 
 "John's version of my song was a bigger selling record here," 
        says Howard, "he's been very good to me. Other artists doing my songs 
        have enabled me to keep me going as an artist. Mary gets my songs out 
        to the world. Lene Siel - a pop star in Denmark - recorded Flesh & 
        Blood in Danish with the Prague Symphony Orchestra.
 
 A lot of those songs turn up on Irish sessions but I haven't got Christy 
        Moore to do anything yet."
  ON 
        THE BANKS OF THE MERRI  Family ties 
        have always been the major catalyst in the career of Howard - one of seven 
        siblings reared in a cottage on the Merri riverbank in the shadows of 
        the Nestle, nee Nestles factory, at western Warrnambool suburb Dennington.
 
         
          | Sister 
              Marcia, also in Goanna, and brother Damian who co-wrote St Kilda 
              Again for Another Country, join Shane's children in the studio choir.
 Damian, leader of The Plough Boys, also performed at the launch 
              of Marcia's second solo CD Burning In The Rain at the Cornish 
              Arms in Brunswick.
 
 "Basically when Goanna fell apart I started writing that song 
              about the demise of the band," Howard said.
 "I 
              never got to finish it because it was a bit of a sore point, too 
              close to the bone. Damian found an unfinished demo in the shed at 
              mum and dad's. He wrote the final verse. He wrote about the broken 
              trust. I was too close to it to be able to finish it." |  
 Marcia Howard
 |  But it's 
        father Leo, an 88-year-old stroke survivor, who inspired Goanna song Factory 
        Man - first single off Troy Cassar-Daley's fifth album Borrowed 
        & Blue.
 The country star, raised on the banks of the Clarence River, first heard 
        the song about the Howard patriarch, who toiled in the Nestles factory 
        for 48 years, when Goanna toured his hometown Grafton in 1983.
 
 "I didn't know Troy had recorded Factory Man, let alone as 
        a single, until I went to the studio to perform on his recording of River 
        Boy," Howard, now 49, confessed.
 
 "I was shocked and flattered when he played it to me. It's encouraging 
        when younger blokes cite you as an influence. I must be getting old."
 
 Little Feat pianist Bill Payne, who has also toured here with James Taylor, 
        produced Goanna's second album Oceania in 1984-5.
 
 In 1998 Shane reformed Goanna for third album Spirit Returns and 
        series of concerts as part of the Melbourne Festival of the Arts.
  BURKE 
        & WILLS 
         
          |  | Howard 
            confessed his dad Leo also inspired other new songs including Cooper's 
            Creek - the tale of Burke & Wills from the viewpoint of survivor 
            John King. 
 "This record was influenced heavily by the fact Dad had a major 
            stroke last year," Howard said.
 
 "He's quite an old man, he's 88 now. You prepare for the finality 
            of a significant person in your life but you're never ready. It makes 
            you face your own mortality. When I was in the Gulf Of Carpenteria 
            I camped a few times at Burke & Wills northern most camp. I've 
            always been fascinated by their story. At school Burke was a hero. 
            As you get into story you realise that the Aboriginal people had done 
            it many times before - living off the land. Burke & Wills left 
            Melbourne at 5 am. At 8 pm the camel train was still leaving. They 
            had all essentials including a writing desk. John King was the only 
            survivor. He asked Aboriginal people for help - he survived because 
            of that.
 |  You think 
        of him at Cooper's Creek with these black angels keeping him alive, hovering 
        around him. I don't think he lived long after that. He married but didn't 
        have any kids."
 
  TWIN 
        TOWERS TRAGEDY  Howard wrote 
        the lullaby Don't Cry after visiting the Manhattan Twin Towers 
        rubble while on tour with Black four months after the suicide bombing.
 
         
          | "We 
              were in Manhattan on her tour," Howard recalled, "we debated 
              whether to go. It was macabre but I'm glad we went. It actually 
              put this television event onto a human scale. Ironically what came 
              out of that experience was a lullaby." 
 But his new song Abraham, a historical parable about religious 
              fundamentalism, took on more significance after the recent Russian 
              massacre.
 "When 
              you start killing school children you go beyond and have lost your 
              humanity," Howard says. |  Mary 
              Black |   "We're 
        into a zone where you know the world can descend down a slippery slide. 
        It has historically - it's important that an artist constructs an argument 
        for humanity.
 Being asked by God to sacrifice your son. I think the choice I would make 
        is to drop religion - not your son. I used the Old Testament, New Testament 
        and the Koran. I took passages from there to construct my argument against 
        all fundamentalism of any religious form.
 
 Humanism is the right choice. Abraham had two sons. He had Ishmael first 
        to his servant and then had Isaac to his wife. He then sent Ishmael away 
        and he became father of the Arab nation. Isaac was the father of the Jewish 
        nation."
  SHED 
        PROJECTS   Howard has 
        been a prolific producer in his home studio The Shed.
 Artists included Warrnambool Koori performer Patricia Clark, The Ploughboys 
        and Broome band Pigram Bros album Saltwater Country.
 
 He also produced Broome musician Jimmy Chi's Corrugation Road, 
        Warrnambool singer Andy Alberts' Gunditjmara Land and the Dreamtime 
        Wisdom Moderntime Vision album with the Wirrinyga Band from North 
        East Arnhem Land.
 
 "I'm cured of all that now," Howard joked.
 
 "I loved doing it but a couple of years ago I did five projects in 
        the one year. I ended up pretty burned out."
 
 Howard also used The Shed for Another Country, produced with guitarist 
        mate Phil Butson and featuring his Warrnambool band who will tour with 
        him.
 
 They are pianist Richard Tankard, bassist Ruben Shannon, drummer Jon Emry 
        and fiddler Ewen Baker.
 
 Shane played mandolin, harmonium and harmonica and guitarist Butson also 
        guested on fiddle, organ, mandolin, bass and slide guitar.
 
 Howard also roped in kindred spirit - Age writer Martin Flanagan on racing, 
        not real estate duties, in Warrnambool - to create the love song Only 
        You.
 
 Two generations of the Howard clan harmonised on the only cover on the 
        new disc - a revamp of the Don Williams-Wayland Holyfield hit Till 
        The Rivers Run Dry.
  HISTORY 
         
         
          |  | Howard 
              has also won acclaim as the unofficial ambassador for the musical 
              nuptials of Irish and Koori music after Goanna topped charts in 
              1982 with anthemic Solid Rock, recently renovated for the 
              Bert Newton TV show on the Ten Network.
 He has spent many years working, writing, performing, touring with 
              and producing Aboriginal musicians throughout Australia, as well 
              as journeying frequently to his own ancestral homelands in Ireland.
 He 
              helped strengthen Irish-Australian connections, through his musical 
              friendships with Black, Liam O'Maonlai, Stephen Cooney and many 
              others.  |  Shane has 
        been outspoken on environmental issues since the song Let The Franklin 
        Flow, written in 1983, protesting against the building of a dam on 
        the Franklin River in Tasmania's wild south-west. 
 The dam was never built.
  TOUR 
        DATES 
 September 10 - Community Hall, BYRON BAY
 September 11 - Club Zamia - NORTH TAMBORINE
 September 15 - The Basement - SYDNEY
 September 16 - The Clarendon - KATOOMBA
 September 17 - Frankston Arts' Centre - FRANKSTON
 September 19 - Normanton Town Hall, NORMANTON
 September 24 The Forum - MELBOURNE (Upstairs)
 October 2 - Hepburn Palais - HEPBURN SPRINGS
 December 2-5 - Eureka - BALLARAT
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